If the camera wasn't exposed enough then thats what you end up with.

The one thing you can't change with RAW footage is the actual exposure as that is a physical iris adjustment. You don't want to convert RAW to LOG (LOG is another way of retaining a wide dynamic exposure range)ĭepending on what you need to output and what colour space you need to work in you may need to add a colour adapter (or set it in the RAW settings) to convert the ProRes RAW to that colour space. But you can then alter those settings (unlike in a normal recording where they are baked in) effectively allowing you to alter the way the media is processed. Unlike 'normal' recorded media that is processed in the camera before recording (so at best you are adjusting that processed media) when you ingest the footage the camera settings metadata is applied so you 'see' the result as set by the camera operator.

Not played with ProRes RAW yet but if it follows other RAW footage then the actual footage is manipulated by metadata from the camera.

Prores raw davinci resolve support